![\"\"](\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/06\/62b3151f1dc0f0e08a6c3e8ffde715da_1.jpg\")
\n<\/p>\n\u00c7in Medya Grubu (CMG) Ba\u015fmuhabiri Huihui Chen’in haberine g\u00f6re,k\u00fcresel iklim kriziyle m\u00fccadelede ye\u015fil d\u00f6n\u00fc\u015f\u00fcm ve d\u00f6ng\u00fcsel ekonomi hamleleri \u00fclkelerin uzun vadeli stratejik \u00f6ncelikleri haline gelirken, T\u00fcrkiye\u2019de sanat\u0131 bu d\u00f6n\u00fc\u015f\u00fcm\u00fcn somut bir par\u00e7as\u0131 k\u0131lan \u00f6nc\u00fc bir ad\u0131m dikkat \u00e7ekiyor. S\u00fcrd\u00fcr\u00fclebilir sanat kavram\u0131n\u0131 2010’lu y\u0131llardan itibaren k\u00fcresel \u00f6l\u00e7ekte ilk savunan isimlerden biri olan Sanat\u00e7\u0131 Deniz Sa\u011fd\u0131\u00e7, \u0130stanbul’daki merkezinde end\u00fcstriyel at\u0131klar\u0131 \u00fcretime dahil ederek d\u00f6ng\u00fcsel ekonominin sanatsal modelini sergiliyor.<\/p>\n
\u00c7in Halk Cumhuriyeti’nin k\u00fcresel \u00f6l\u00e7ekte y\u00fcr\u00fctt\u00fc\u011f\u00fc “Ye\u015fil Kalk\u0131nma” g\u00fcndemi, karbon n\u00f6tr hedefleri ve kaynaklar\u0131n s\u00fcrd\u00fcr\u00fclebilir kullan\u0131m\u0131 politikalar\u0131yla do\u011frudan \u00f6rt\u00fc\u015fen bu pratikler, k\u00fcresel \u00e7evre koruma \u00e7abalar\u0131n\u0131n sanatsal ve toplumsal aya\u011f\u0131na somut bir \u00f6rnek te\u015fkil etmesi y\u00f6n\u00fcyle \u00c7in Medya Grubu taraf\u0131ndan mercek alt\u0131na al\u0131nd\u0131.<\/p>\n
At\u0131k Nesnelerin Piksellere D\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc Bi\u00e7imsel Devrim<\/p>\n
\n<\/p>\n
Deniz Sa\u011fd\u0131\u00e7\u2019\u0131n “Ready-ReMade” (Haz\u0131r-Yeniden Yap\u0131m) ad\u0131n\u0131 verdi\u011fi yarat\u0131c\u0131 konsept, sanat tarihi a\u00e7\u0131s\u0131ndan nesneye y\u00fcklenen anlam\u0131 farkl\u0131 bir boyuta ta\u015f\u0131yor. Klasik resim sanat\u0131n\u0131n boya ve tuval gibi geleneksel malzemelerinin \u00f6tesine ge\u00e7en sanat\u00e7\u0131, t\u00fcketim toplumunun geride b\u0131rakt\u0131\u011f\u0131 art\u0131klar\u0131 adeta birer renk paleti ve pikselsel birer par\u00e7a olarak kullan\u0131yor. Tekstil sanayisinin kenar k\u0131rp\u0131nt\u0131lar\u0131, eski kot kuma\u015flar\u0131, kablolar, plastik d\u00fc\u011fmeler, elektronik devre kartlar\u0131 ve ila\u00e7 ambalajlar\u0131, Sa\u011fd\u0131\u00e7\u2019\u0131n tekni\u011finde insan y\u00fczlerinin duygu dolu ifadelerini olu\u015fturan birer g\u00f6lge ve \u0131\u015f\u0131k unsuruna d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n
Uzaktan bak\u0131ld\u0131\u011f\u0131nda kusursuz birer ya\u011fl\u0131boya portre hissi uyand\u0131ran bu eserler, yakla\u015f\u0131ld\u0131\u011f\u0131nda her g\u00fcn \u00e7\u00f6pe at\u0131lan binlerce at\u0131k nesnenin mikro d\u00fcnyas\u0131n\u0131 g\u00f6zler \u00f6n\u00fcne seriyor. Sanat\u00e7\u0131, insan portrelerini se\u00e7mesinin nedenini, \u00e7evre krizinin ve a\u015f\u0131r\u0131 t\u00fcketimin \u00f6znesinin yine insan\u0131n kendisi olmas\u0131yla a\u00e7\u0131kl\u0131yor. At\u0131\u011f\u0131n kendi bi\u00e7imsel dilini bozmadan, onu keserek, birle\u015ftirerek veya \u00fcst \u00fcste y\u0131\u011farak olu\u015fturdu\u011fu bu \u00f6zg\u00fcn teknik, s\u00fcrd\u00fcr\u00fclebilirli\u011fi teorik bir s\u00f6ylemden \u00e7\u0131kar\u0131p kitlelerin hayranl\u0131kla izledi\u011fi estetik bir ger\u00e7ekli\u011fe kavu\u015fturuyor.<\/p>\n
End\u00fcstriyel at\u0131klara kar\u015f\u0131 somut m\u00fccadele: S\u0131f\u0131r At\u0131k At\u00f6lyesi<\/p>\n
Sa\u011fd\u0131\u00e7\u2019\u0131n bu sanatsal felsefesi, \u00fcretim a\u015famas\u0131nda end\u00fcstriyel ve evsel at\u0131klar\u0131n sisteme geri kazand\u0131r\u0131ld\u0131\u011f\u0131 somut bir s\u00fcrd\u00fcr\u00fclebilirlik projesiyle birle\u015fiyor. Tekstil sanayisinin art\u0131klar\u0131, kartonlar, kablolar, elektronik devreler ve al\u00fcminyum i\u00e7ecek kutular\u0131 gibi d\u00fcnya \u00fczerinde 50\u2019den fazla insan \u00fcretimi at\u0131k nesne bu merkezde titizlikle temizlenip t\u00fcrlerine g\u00f6re ayr\u0131\u015ft\u0131r\u0131l\u0131yor.<\/p>\n
![\"\"](\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/06\/62b3151f1dc0f0e08a6c3e8ffde715da_2.jpg\")
\n<\/p>\n
At\u0131k y\u00f6netiminin ve kayna\u011f\u0131nda ayr\u0131\u015ft\u0131rma k\u00fclt\u00fcr\u00fcn\u00fcn \u00f6nemini vurgulayan Sa\u011fd\u0131\u00e7, \u00fcretici firmalar, markalar ve fabrikalarla do\u011frudan i\u015f birli\u011fi yap\u0131yor. Sanat\u00e7\u0131, fabrikalar\u0131n bertaraf etmekte zorland\u0131\u011f\u0131 plastik k\u0131rp\u0131nt\u0131lar\u0131 ve end\u00fcstriyel \u00fcretim fazlas\u0131 ah\u015fap parke gibi malzemeleri do\u011frudan tesislerden teslim alarak d\u00f6ng\u00fcsel bir \u00fcretim zinciri olu\u015fturuyor. Bu kolektif s\u00fcre\u00e7, kitlesel t\u00fcketim \u00e7a\u011f\u0131nda end\u00fcstriyel at\u0131klar\u0131n \u00e7evreye zarar vermeden ekonomiye, \u00fcretime ve son tahlilde y\u00fcksek sanat eserlerine nas\u0131l geri kazand\u0131r\u0131labilece\u011fini somut bir modelle kan\u0131tl\u0131yor.<\/p>\n
Kendi kendine yeten ekolojik altyap\u0131: Sanatta karbon n\u00f6tr yakla\u015f\u0131m<\/p>\n
\u00c7in’in s\u00fcrd\u00fcr\u00fclebilir ekosistemler ve ye\u015fil \u015fehirler kurma vizyonuyla paralellik g\u00f6steren en \u00f6nemli unsur ise Sa\u011fd\u0131\u00e7’\u0131n hem ya\u015fam alan\u0131 hem de \u00fcretim merkezi olarak kulland\u0131\u011f\u0131 iki katl\u0131 binan\u0131n teknik altyap\u0131s\u0131. Sanat\u00e7\u0131n\u0131n at\u00f6lyesindeki bu ekolojik mimari, \u00fcretti\u011fi eserlerin s\u00fcrd\u00fcr\u00fclebilirlik felsefesini mekansal olarak tamaml\u0131yor. Bina, mimari in\u015fas\u0131ndan g\u00fcnl\u00fck i\u015fleyi\u015fine kadar tamamen \u00e7evre koruma kriterlerine g\u00f6re tasarlanm\u0131\u015f durumda.<\/p>\n
![\"\"](\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/06\/62b3151f1dc0f0e08a6c3e8ffde715da_3.jpg\")
\n<\/p>\n
Binan\u0131n yap\u0131m\u0131nda plastik gibi \u00e7evreye zararl\u0131 materyallere yer verilmezken, \u00f6nceki in\u015faattan \u00e7\u0131kan molozlar dahi kum haline getirilerek s\u0131va malzemesi olarak geri d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc. A\u011fa\u00e7 kesilmesinin \u00f6n\u00fcne ge\u00e7mek ad\u0131na kap\u0131larda bile ah\u015fap kullan\u0131lmayan merkez, operasyonel olarak da tam bir d\u00f6ng\u00fcsellik sa\u011fl\u0131yor. \u00c7at\u0131ya kurulan g\u00fcne\u015f enerji panelleri binan\u0131n t\u00fcm elektrik ihtiyac\u0131n\u0131 ye\u015fil enerjiden kar\u015f\u0131larken, ya\u011fmur suyu ar\u0131tma sistemiyle entegre \u00e7al\u0131\u015fan 2 tonluk su d\u00f6n\u00fc\u015f\u00fcm depolar\u0131 ise merkezdeki g\u00fcnl\u00fck su kullan\u0131m\u0131n\u0131 ve bah\u00e7e sulamas\u0131n\u0131 tamamen ya\u011fmur suyundan sabitlemektedir.<\/p>\n
K\u00fcresel ye\u015fil g\u00fcndemle kesi\u015fen ortak vizyon<\/p>\n
Daha \u00f6nce COP \u0130klim Zirvesi\u2019ne kat\u0131larak s\u00fcrd\u00fcr\u00fclebilirlik politikalar\u0131n\u0131n k\u00fcresel d\u00fczeyde daha ciddiye al\u0131nmas\u0131 gerekti\u011fine dikkat \u00e7eken Deniz Sa\u011fd\u0131\u00e7, haftan\u0131n \u00fc\u00e7 g\u00fcn\u00fc uluslararas\u0131 ziyaret\u00e7ileri ve koleksiyonerleri bu ekolojik merkezde a\u011f\u0131rl\u0131yor. S\u00fcrd\u00fcr\u00fclebilir bir ya\u015fam\u0131n, ye\u015fil \u00fcretimin ve \u00e7evre dostu bir sanat\u0131n m\u00fcmk\u00fcn oldu\u011funu somut uygulamalarla g\u00f6steren Sa\u011fd\u0131\u00e7, sayfalar dolusu akademik metin ve makaleyle anlat\u0131lmas\u0131 zor olan “ayr\u0131\u015ft\u0131rma k\u00fclt\u00fcr\u00fc” ve “ye\u015fil kalk\u0131nma” vizyonunu, kitlelerin \u00e7ok daha rahat alg\u0131layabilece\u011fi g\u00fc\u00e7l\u00fc bir g\u00f6rsel dile d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor.<\/p>\n
![\"\"](\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/06\/62b3151f1dc0f0e08a6c3e8ffde715da_4.jpg\")
\n<\/p>\n
\u00c7in’in sanayide ye\u015fil d\u00f6n\u00fc\u015f\u00fcm, karbon emisyonlar\u0131n\u0131n azalt\u0131lmas\u0131 ve \u00e7evre dostu \u00fcretim teknolojilerine ge\u00e7i\u015f konusundaki kararl\u0131 politikalar\u0131 g\u00f6z \u00f6n\u00fcne al\u0131nd\u0131\u011f\u0131nda, T\u00fcrkiye\u2019deki bu s\u00fcrd\u00fcr\u00fclebilir sanat merkezi k\u00fcresel \u00e7evre koruma g\u00fcndemine \u00f6nemli bir yerel katk\u0131 sunuyor. \u0130stanbul’da tescillenen bu \u00e7evre dostu \u00fcretim modeli, \u00f6n\u00fcm\u00fczdeki d\u00f6nemde de uluslararas\u0131 ye\u015fil kalk\u0131nma diyaloglar\u0131n\u0131n ve s\u00fcrd\u00fcr\u00fclebilir end\u00fcstri uygulamalar\u0131n\u0131n ilham veren ba\u015fl\u0131klar\u0131ndan biri olmaya aday g\u00f6r\u00fcn\u00fcyor.<\/p>\n
<\/strong> \u00c7in Medya Grubu (CMG) Ba\u015fmuhabiri Huihui Chen, end\u00fcstriyel at\u0131klar\u0131 ham maddeye d\u00f6n\u00fc\u015ft\u00fcren sanat\u00e7\u0131 Deniz Sa\u011fd\u0131\u00e7\u2019\u0131n \u0130stanbul’daki s\u0131f\u0131r at\u0131k merkezini yerinde inceledi. Mimarisinden enerjisine kadar kendi kendine yeten bu ekolojik at\u00f6lye, s\u00fcrd\u00fcr\u00fclebilir bir d\u00fcnyan\u0131n teoride kalmad\u0131\u011f\u0131n\u0131 bizzat ya\u015fayan bir modelle kan\u0131tl\u0131yor.<\/p>\n","protected":false},"author":1,"featured_media":96878,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow07ekDA:productID":"","footnotes":""},"categories":[12,4],"tags":[],"class_list":["post-96877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spor","category-dunya"],"_links":{"self":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/96877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=96877"}],"version-history":[{"count":0,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/96877\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/media\/96878"}],"wp:attachment":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=96877"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=96877"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=96877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nEKONOM\u0130 GAZETES\u0130 <\/p>\n","protected":false},"excerpt":{"rendered":"