![\"\"](\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/02\/c9e2b72004df785e193f7b9ed90fed34_1.jpg\")
\n<\/p>\nT\u00fcrkiye\u2019de k\u00fclt\u00fcr sanat\u0131n dijitalle\u015fmesine ve geni\u015f kitlelere ula\u015fmas\u0131na \u00f6nc\u00fcl\u00fck eden Trendyol Sanat, \u00fclkemizin sanatsal birikimini Ahmet Ertu\u011f gibi k\u00fcresel de\u011ferlerle uluslararas\u0131 arenaya ta\u015f\u0131yor. D\u00fcnya \u00e7ap\u0131nda tan\u0131nan mimar ve foto\u011fraf sanat\u00e7\u0131s\u0131 Ahmet Ertu\u011f\u2019un \u201cBeyond the Vanishing Point\u201d adl\u0131 sergisi Trendyol Sanat\u2019\u0131n deste\u011fiyle Venedik\u2019te kap\u0131lar\u0131n\u0131 sanatseverlere a\u00e7t\u0131. Serginin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Denis Curti \u00fcstleniyor.<\/p>\n
An\u0131tsal i\u00e7 mekanlar t\u00fcm g\u00f6rkemiyle sergide\u2026<\/p>\n
Avrupa\u2019n\u0131n en sayg\u0131n sanat merkezlerinden Le Stanze della Fotografia'daki sergi, Ayasofya'dan Pantheon'a 29 b\u00fcy\u00fck boyutta bas\u0131lm\u0131\u015f esere ev sahipli\u011fi yap\u0131yor. Serginin en dikkat \u00e7ekici eserlerinden biri olan Ayasofya, k\u0131rk penceresinden s\u00fcz\u00fclen \u0131\u015f\u0131k halkas\u0131 \u00fczerinde adeta as\u0131l\u0131 duran merkez kubbesi ve an\u0131tsal i\u00e7 mekan kurgusuyla, mimari dehan\u0131n s\u0131n\u0131rlar\u0131n\u0131 zorlayan ve zamans\u0131z bir hu\u015fu uyand\u0131ran bir ba\u015fyap\u0131t olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n
Sergide, Bat\u0131 mimarisinin zirvesi olan; Roma\u2019n\u0131n kusursuz geometrisi Pantheon ve R\u00f6nesans\u2019\u0131n sarmal esteti\u011fi Villa Farnese de dikkat \u00e7eken eserler aras\u0131nda yer al\u0131yor. \u0130talya'n\u0131n en \u00f6nemli opera binalar\u0131ndan tarihi La Fenice Tiyatrosu da, t\u00fcm ihti\u015fam\u0131yla Ertu\u011f'un kadraj\u0131ndan sanatseverlerle bulu\u015fuyor.<\/p>\n
\u201cMimariyi onu in\u015fa edenlerin g\u00f6z\u00fcnden deneyimletiyorum\u201d<\/p>\n
Eri\u015fimi k\u0131s\u0131tl\u0131 veya gizli kalm\u0131\u015f \u015faheserleri t\u00fcm g\u00f6rkemiyle g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karan Ahmet Ertu\u011f, serginin \u0130talya\u2019n\u0131n mimari miras\u0131na ve onun Akdeniz d\u00fcnyas\u0131yla kurdu\u011fu derin diyalo\u011fa odakland\u0131\u011f\u0131n\u0131 belirtiyor. 50 y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir Anadolu, Avrupa, Akdeniz ve \u00f6tesine objektifini \u00e7eviren Ertu\u011f, Trendyol Sanat\u2019\u0131n deste\u011fiyle yeni sergisini geni\u015fletme ve uluslararas\u0131 bir platforma ta\u015f\u0131ma imk\u00e2n\u0131 buldu\u011funu s\u00f6yledi:<\/p>\n
“Bu t\u00fcr i\u015f birlikleri, T\u00fcrk sanat\u00e7\u0131lar\u0131n\u0131n yurt d\u0131\u015f\u0131nda kendi k\u00fclt\u00fcrel birikimlerini ve sanatsal derinliklerini g\u00f6r\u00fcn\u00fcr k\u0131labilmeleri a\u00e7\u0131s\u0131ndan b\u00fcy\u00fck \u00f6nem ta\u015f\u0131yor. Do\u011fru destek ve s\u00fcrd\u00fcr\u00fclebilir ortakl\u0131klarla, T\u00fcrkiye\u2019nin sanat alan\u0131ndaki birikiminin uluslararas\u0131 \u00f6l\u00e7ekte daha g\u00fc\u00e7l\u00fc bi\u00e7imde temsil edilebilece\u011fine inan\u0131yorum. Beyond the Vanishing Point sergisi mimarinin hem s\u00fcreklili\u011fi hem d\u00f6n\u00fc\u015f\u00fcm\u00fc nas\u0131l b\u00fcnyesinde ta\u015f\u0131d\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. K\u00fclt\u00fcrleri, \u00e7a\u011flar\u0131 ve co\u011frafyalar\u0131 birbirine ba\u011flarken, izleyiciyi \u00e7o\u011fu zaman gizli, uzak ya da eri\u015filmesi g\u00fc\u00e7 mek\u00e2nlara davet ediyor. Mimarl\u0131k ge\u00e7mi\u015fimden dolay\u0131 foto\u011fraf\u0131 yaln\u0131zca belgeleme arac\u0131 de\u011fil, bir yorumlama bi\u00e7imi olarak g\u00f6r\u00fcyorum. Mimariyi, onu yaratanlar\u0131n g\u00f6z\u00fcnden deneyimlemenin ve g\u00f6r\u00fcn\u00fcr hale getirmenin bir yolu.”<\/p>\n
\u0130lk kez bir T\u00fcrk sanat\u00e7\u0131n\u0131n sergisi Le Stanze della Fotografia'da<\/p>\n
T\u00fcrkiye'nin k\u00fclt\u00fcrel miras\u0131n\u0131 ve mimarisini yar\u0131m as\u0131r boyunca d\u00fcnyaya tan\u0131tan Ahmet Ertu\u011f, foto\u011fraflar\u0131n\u0131 8\u00d710 in\u00e7 b\u00fcy\u00fck format bir k\u00f6r\u00fckl\u00fc kamera ve filmle \u00e7ekiyor. Do\u011fu ile Bat\u0131 aras\u0131nda y\u00fczy\u0131llar\u0131 a\u015fan mimari bir ba\u011f kuran sergi, Le Stanze della Fotografia'da 6 Nisan tarihine kadar gezilebilecek.<\/p>\n
Le Stanze della Fotografia, foto\u011fraf\u0131n modern ve \u00e7a\u011fda\u015f sanat\u0131n en ilgi \u00e7ekici dillerinden biri olarak Venedik\u2019te kendine \u00f6zg\u00fc bir 'eve' sahip olmas\u0131 gerekti\u011fi inanc\u0131yla 2012\u2019de a\u00e7\u0131ld\u0131. Aralar\u0131nda Sebasti\u00e3o Salgado, Elliott Erwitt, Gianni Berengo Gardin, Helmut Newton, David LaChapelle, Letizia Battaglia, Ferdinando Scianna ve Mario De Biasi gibi b\u00fcy\u00fck foto\u011fraf\u00e7\u0131lar\u0131n da yer ald\u0131\u011f\u0131 sergilerin ard\u0131ndan m\u00fcze, Ahmet Ertu\u011f'un foto\u011fraf sergisiyle ilk kez bir T\u00fcrk sanat\u00e7\u0131n\u0131n eserlerine ev sahipli\u011fi yap\u0131yor.<\/p>\n
\n<\/p>\n
Ahmet Ertu\u011f Hakk\u0131nda<\/p>\n
Ahmet Ertu\u011f, 1968\u20131974 y\u0131llar\u0131 aras\u0131nda Londra\u2019daki Architectural Association School of Architecture\u2019da mimarl\u0131k e\u011fitimi ald\u0131; \u0130ngiltere, \u0130ran ve T\u00fcrkiye\u2019de mimar olarak \u00e7al\u0131\u015ft\u0131. 1978\u2019de Japonya Vakf\u0131 bursuyla Japonya\u2019da tap\u0131naklar ve geleneksel mimariyi foto\u011fraflad\u0131. \u0130stanbul\u2019un tarih\u00ee dokusuna y\u00f6nelik koruma projelerinde edindi\u011fi deneyim, Bizans, Osmanl\u0131 ve Roma mimari miras\u0131n\u0131 foto\u011fraf yoluyla belgelemeye y\u00f6nelmesinde belirleyici oldu. Mimari ve arkeolojik mirasa odaklanan 30\u2019dan fazla sanat kitab\u0131 yay\u0131mlayan Ertu\u011f, Avrupa genelinde k\u00fct\u00fcphaneler, tiyatrolar ve m\u00fczeleri konu alan kapsaml\u0131 \u00e7al\u0131\u015fmalar ger\u00e7ekle\u015ftirdi. UNESCO himayesinde sergilenen \u0130stanbul an\u0131tlar\u0131 se\u00e7kisi Paris, Madrid ve Toronto\u2019da g\u00f6sterildi. Eserleri, ABD ve Avrupa\u2019daki \u00f6nemli kamusal ve \u00f6zel koleksiyonlarda yer almaktad\u0131r. Foto\u011fraf\u00e7\u0131l\u0131ktaki 50. y\u0131l\u0131nda, New York, Paris, Londra, Viyana ve Toronto d\u00e2hil olmak \u00fczere uluslararas\u0131 \u00f6l\u00e7ekte sergiler a\u00e7may\u0131 s\u00fcrd\u00fcrmektedir.<\/p>\n
Trendyol Sanat Hakk\u0131nda<\/p>\n
2021 y\u0131l\u0131nda kurulan Trendyol Sanat, \u00e7a\u011fda\u015f sanat\u0131 herkes i\u00e7in eri\u015filebilir k\u0131lmay\u0131 ve sanat\u0131 toplumsal faydaya d\u00f6n\u00fc\u015ft\u00fcrmeyi ama\u00e7l\u0131yor. Platform, 150\u2019den fazla sanat\u00e7\u0131n\u0131n bine yak\u0131n eserine ev sahipli\u011fi yaparken, gen\u00e7 ve ba\u011f\u0131ms\u0131z sanat\u00e7\u0131lara dijitalde alan a\u00e7\u0131yor ve destek veriyor. BASE, MamutArt ve Contemporary Istanbul gibi \u00f6nemli sanat etkinliklerinin partneri olarak T\u00fcrkiye sanat ekosistemine katk\u0131 sa\u011fl\u0131yor.<\/p>\n
Trendyol Sanat bug\u00fcne dek yap\u0131lan i\u015f birlikleri kapsam\u0131nda Leo Lunatic, Ardan \u00d6zmeno\u011flu, \u0130smail Acar, Ekrem Yal\u00e7\u0131nda\u011f, Devrim Erbil, G\u00f6ksu G\u00fcl, Sarp Kerem Yavuz, Leyla Emadi ve G\u00fcven\u00e7 \u00d6zel gibi \u00f6nde gelen sanat\u00e7\u0131lar\u0131n eserlerini daha geni\u015f kitlelerle bulu\u015fturdu.<\/p>\n
Trendyol Sanat ayr\u0131ca afetzede gen\u00e7lerden kad\u0131n sanat\u00e7\u0131lara, gen\u00e7 yeteneklerden koleksiyonerlere kadar geni\u015f bir yelpazede de pozitif etki yarat\u0131yor. Trendyol Sanat\u2019ta sat\u0131\u015fa sunulan \u201cUmut\u201d temal\u0131 800 eserlik koleksiyondan elde edilen gelir, TEV Trendyol Kalpten Kalbe Burs Fonu arac\u0131l\u0131\u011f\u0131yla depremzede \u00f6\u011frencilerin e\u011fitimine aktar\u0131l\u0131yor. Kad\u0131n sanat\u00e7\u0131lara y\u00f6nelik se\u00e7kiler ve gen\u00e7 yetenekleri koleksiyonerlerle bulu\u015fturan projeler, sanat\u0131 kapsay\u0131c\u0131, iyile\u015ftirici ve d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir ara\u00e7 olarak konumland\u0131r\u0131yor.<\/p>\n
Trendyol Sanat, T\u00fcrkiye\u2019nin gelecek nesil sanat\u00e7\u0131lar\u0131na \u0131\u015f\u0131k tutan projeleriyle, sanat\u0131 hem estetik hem toplumsal de\u011fer ta\u015f\u0131yan bir deneyim haline getiriyor. Bug\u00fcne kadar sat\u0131\u015fa sunulan se\u00e7kiler aras\u0131nda an\u0131lar\u0131n \u00f6nemini ve k\u0131r\u0131lgan hallerini hat\u0131rlatan \u2018Ortak Bellek\u2019,\u00a0 oyuncak tasar\u0131m\u0131n\u0131 sanata d\u00f6n\u00fc\u015ft\u00fcren \u2018Toykontakt\u2019 ve BASE i\u015f birli\u011fiyle g\u00fczel sanatlar fak\u00fcltelerinden yeni mezunlar\u0131n i\u015flerinden olu\u015fan \u2018BASELECTED\u2019 ve be\u015f kad\u0131n sanat\u00e7\u0131n\u0131n eserlerinden olu\u015fan 'SOYUT Yorumlamalar: Kad\u0131n Sanat\u00e7\u0131lar Se\u00e7kisi\u2019 gibi \u00f6nemli projeler yer al\u0131yor.<\/p>\n
<\/strong> Trendyol Sanat, T\u00fcrkiye\u2019nin yarat\u0131c\u0131 g\u00fcc\u00fcn\u00fc Ahmet Ertu\u011f\u2019un objektifinden d\u00fcnyaya a\u00e7\u0131yor. \u200eD\u00fcnyaca \u00fcnl\u00fc foto\u011fraf sanat\u00e7\u0131s\u0131 Ahmet Ertu\u011f\u2019un ‘Beyond the Vanishing Point’ sergisi, Venedik\u2019te \u200eAvrupa\u2019n\u0131n en prestijli sanat merkezlerinden Le Stanze della Fotografia\u2019da kap\u0131lar\u0131n\u0131 a\u00e7t\u0131. <\/p>\n","protected":false},"author":1,"featured_media":51297,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow07ekDA:productID":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-51296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dunya"],"_links":{"self":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/51296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=51296"}],"version-history":[{"count":0,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/51296\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/media\/51297"}],"wp:attachment":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=51296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=51296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=51296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nEKONOM\u0130 GAZETES\u0130 <\/p>\n","protected":false},"excerpt":{"rendered":"