{"id":45636,"date":"2026-02-11T10:30:10","date_gmt":"2026-02-11T07:30:10","guid":{"rendered":"https:\/\/ekonomigundemi.com.tr\/index.php\/2026\/02\/11\/ayasofyadan-pantheona-cografyalar-arasinda-mimari-bag"},"modified":"2026-02-11T10:30:10","modified_gmt":"2026-02-11T07:30:10","slug":"ayasofyadan-pantheona-cografyalar-arasinda-mimari-bag","status":"publish","type":"post","link":"https:\/\/ekonomigundemi.com.tr\/index.php\/2026\/02\/11\/ayasofyadan-pantheona-cografyalar-arasinda-mimari-bag\/","title":{"rendered":"Ayasofya\u2019dan Pantheon\u2019a:\u200e Co\u011frafyalar aras\u0131nda mimari ba\u011f"},"content":{"rendered":"<p>T\u00fcrkiye\u2019de k\u00fclt\u00fcr sanat\u0131n dijitalle\u015fmesine ve geni\u015f kitlelere ula\u015fmas\u0131na \u00f6nc\u00fcl\u00fck eden Trendyol Sanat, d\u00fcnya \u00e7ap\u0131nda tan\u0131nan mimar ve foto\u011fraf sanat\u00e7\u0131s\u0131 Ahmet Ertu\u011f\u2019un Venedik\u2019teki sergisinin ana destek\u00e7isi oldu. Avrupa&#039;n\u0131n en prestijli sanat merkezlerinden Le Stanze della Fotografia&#039;da Denis Curti\u2019nin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde 21 \u015eubat-6 Nisan tarihlerinde kap\u0131lar\u0131n\u0131 a\u00e7acak olan sergi; Ertu\u011f\u2019un eri\u015fimi k\u0131s\u0131tl\u0131 veya gizli kalm\u0131\u015f 29 mimari \u015faheseri t\u00fcm g\u00f6rkemiyle g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karan foto\u011fraflar\u0131ndan olu\u015fuyor.<\/p>\n<p><img decoding=\"async\" alt=\"\" src=\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/02\/f27cd8b3f6420f6a7dcc1586cb8d2c8d_1.jpg\" \/>\n<\/p>\n<p>Mimari haf\u0131zan\u0131n izinde yar\u0131m as\u0131rl\u0131k bir yolculuk<\/p>\n<p>T\u00fcrkiye&#039;nin k\u00fclt\u00fcrel miras\u0131n\u0131 ve mimarisini 50 y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir d\u00fcnyaya tan\u0131tan mimar-foto\u011fraf\u00e7\u0131 Ahmet Ertu\u011f, sergi ile ilgili olarak \u015funlar\u0131 ifade etti:<\/p>\n<p>\u201cElli y\u0131l\u0131 a\u015fk\u0131n s\u00fcredir \u00e7al\u0131\u015fmalar\u0131m\u0131 Avrupa, Akdeniz ve \u00f6tesindeki mimari ve k\u00fclt\u00fcrel miras\u0131 foto\u011fraflamaya adad\u0131m; insan yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n, haf\u0131zan\u0131n ve tarihin kesi\u015fti\u011fi mekanlara odakland\u0131m. Bu kareler, mimarinin hem s\u00fcreklili\u011fi hem d\u00f6n\u00fc\u015f\u00fcm\u00fc nas\u0131l b\u00fcnyesinde ta\u015f\u0131d\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. K\u00fclt\u00fcrleri, \u00e7a\u011flar\u0131 ve co\u011frafyalar\u0131 birbirine ba\u011flarken, insan\u0131n anlam ve g\u00fczellik ta\u015f\u0131yan mekanlar yaratma arzusunun evrenselli\u011fini do\u011fruluyor. Mimarl\u0131k ge\u00e7mi\u015fimden dolay\u0131 foto\u011fraf\u0131 yaln\u0131zca belgeleme arac\u0131 de\u011fil, bir yorumlama bi\u00e7imi olarak g\u00f6r\u00fcyorum. Mimariyi, onu yaratanlar\u0131n g\u00f6z\u00fcnden deneyimlemenin ve g\u00f6r\u00fcn\u00fcr k\u0131lman\u0131n bir yolu. Venedik\u2019te Le Stanze della Fotografia\u2019da yer alan bu sergi, \u0130talya\u2019n\u0131n mimari miras\u0131na ve onun Akdeniz d\u00fcnyas\u0131yla kurdu\u011fu derin diyalo\u011fa odaklanan foto\u011fraflar\u0131mdan bir se\u00e7ki sunuyor. Foto\u011fraflar, izleyiciyi \u00e7o\u011fu zaman gizli, uzak ya da eri\u015filmesi g\u00fc\u00e7 mek\u00e2nlara davet ederek, aksi halde yaln\u0131zca haf\u0131za ya da hayal g\u00fcc\u00fcyle bilinebilecek alanlarla mahrem bir kar\u015f\u0131la\u015fma \u00f6neriyor.\u201d<\/p>\n<p>Sergide, Ertu\u011f\u2019un 8\u00d710 in\u00e7 b\u00fcy\u00fck format bir k\u00f6r\u00fckl\u00fc kamera ve filmle \u00e7al\u0131\u015farak yava\u015f, bilin\u00e7li ve tefekk\u00fcre dayal\u0131 bir s\u00fcre\u00e7le \u00e7ekti\u011fi 29 devasa foto\u011fraf aras\u0131nda \u0130talya\u2019daki tarihi katedraller, saraylar, tiyatrolar, k\u00fct\u00fcphaneler ve m\u00fczeler yer al\u0131yor.<\/p>\n<p><img decoding=\"async\" alt=\"\" src=\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/02\/f27cd8b3f6420f6a7dcc1586cb8d2c8d_2.jpg\" \/>\n<\/p>\n<p>Ayasofya\u2019n\u0131n an\u0131tsal kubbesi de t\u00fcm g\u00f6rkemiyle sergide\u2026<\/p>\n<p>Trendyol Sanat&#039;\u0131n katk\u0131 sundu\u011fu Le Stanze della Fotografia&#039;daki sergiyi gezenler i\u00e7in en b\u00fcy\u00fcleyici foto\u011fraflardan birisi ise, T\u00fcrkiye&#039;den tek bir kare olacak: Ayasofya&#039;n\u0131n an\u0131tsal kubbesi. Alt\u0131nc\u0131 y\u00fczy\u0131ldan bu yana, zeminden 55 metre y\u00fcksekte as\u0131l\u0131 duran merkez kubbenin \u00e7evresindeki yar\u0131m kubbelerin de kadraja girdi\u011fi foto\u011fraf, \u0130stanbul ve Venedik aras\u0131ndaki y\u00fczy\u0131llara yay\u0131lan mimari s\u00fcreklili\u011fe tan\u0131kl\u0131k ediyor. Sergideki foto\u011fraflar, mimarinin k\u00fclt\u00fcrler, d\u00f6nemler ve co\u011frafyalar aras\u0131nda hem s\u00fcreklilik hem d\u00f6n\u00fc\u015f\u00fcm ta\u015f\u0131d\u0131\u011f\u0131n\u0131 g\u00f6steriyor.<\/p>\n<p>Ahmet Ertu\u011f Hakk\u0131nda<\/p>\n<p>Ahmet Ertu\u011f, 1968\u20131974 y\u0131llar\u0131 aras\u0131nda Londra\u2019daki Architectural Association School of Architecture\u2019da mimarl\u0131k e\u011fitimi ald\u0131; \u0130ngiltere, \u0130ran ve T\u00fcrkiye\u2019de mimar olarak \u00e7al\u0131\u015ft\u0131. 1978\u2019de Japonya Vakf\u0131 bursuyla Japonya\u2019da tap\u0131naklar ve geleneksel mimariyi foto\u011fraflad\u0131. \u0130stanbul\u2019un tarih\u00ee dokusuna y\u00f6nelik koruma projelerinde edindi\u011fi deneyim, Bizans, Osmanl\u0131 ve Roma mimari miras\u0131n\u0131 foto\u011fraf yoluyla belgelemeye y\u00f6nelmesinde belirleyici oldu. Mimari ve arkeolojik mirasa odaklanan 30\u2019dan fazla sanat kitab\u0131 yay\u0131mlayan Ertu\u011f, Avrupa genelinde k\u00fct\u00fcphaneler, tiyatrolar ve m\u00fczeleri konu alan kapsaml\u0131 \u00e7al\u0131\u015fmalar ger\u00e7ekle\u015ftirdi. UNESCO himayesinde sergilenen \u0130stanbul an\u0131tlar\u0131 se\u00e7kisi Paris, Madrid ve Toronto\u2019da g\u00f6sterildi. Eserleri, ABD ve Avrupa\u2019daki \u00f6nemli kamusal ve \u00f6zel koleksiyonlarda yer almaktad\u0131r. Foto\u011fraf\u00e7\u0131l\u0131ktaki 50. y\u0131l\u0131nda, New York, Paris, Londra, Viyana ve Toronto d\u00e2hil olmak \u00fczere uluslararas\u0131 \u00f6l\u00e7ekte sergiler a\u00e7may\u0131 s\u00fcrd\u00fcrmektedir.<\/p>\n<p><img decoding=\"async\" alt=\"\" src=\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/02\/f27cd8b3f6420f6a7dcc1586cb8d2c8d_3.jpg\" \/>\n<\/p>\n<p>Trendyol Sanat Hakk\u0131nda<\/p>\n<p>2021 y\u0131l\u0131nda kurulan Trendyol Sanat, \u00e7a\u011fda\u015f sanat\u0131 herkes i\u00e7in eri\u015filebilir k\u0131lmay\u0131 ve sanat\u0131 toplumsal faydaya d\u00f6n\u00fc\u015ft\u00fcrmeyi ama\u00e7l\u0131yor. Platform, 150\u2019den fazla sanat\u00e7\u0131n\u0131n bine yak\u0131n eserine ev sahipli\u011fi yaparken, gen\u00e7 ve ba\u011f\u0131ms\u0131z sanat\u00e7\u0131lara dijitalde alan a\u00e7\u0131yor ve destek veriyor. BASE, MamutArt ve Contemporary Istanbul gibi \u00f6nemli sanat etkinliklerinin partneri olarak T\u00fcrkiye sanat ekosistemine katk\u0131 sa\u011fl\u0131yor.<\/p>\n<p>Trendyol Sanat bug\u00fcne dek yap\u0131lan i\u015f birlikleri kapsam\u0131nda Leo Lunatic, Ardan \u00d6zmeno\u011flu, \u0130smail Acar, Ekrem Yal\u00e7\u0131nda\u011f, Devrim Erbil, G\u00f6ksu G\u00fcl, Sarp Kerem Yavuz, Leyla Emadi ve G\u00fcven\u00e7 \u00d6zel gibi \u00f6nde gelen sanat\u00e7\u0131lar\u0131n eserlerini daha geni\u015f kitlelerle bulu\u015fturdu.<\/p>\n<p>Trendyol Sanat ayr\u0131ca afetzede gen\u00e7lerden kad\u0131n sanat\u00e7\u0131lara, gen\u00e7 yeteneklerden koleksiyonerlere kadar geni\u015f bir yelpazede de pozitif etki yarat\u0131yor. Trendyol Sanat\u2019ta sat\u0131\u015fa sunulan \u201cUmut\u201d temal\u0131 800 eserlik koleksiyondan elde edilen gelir, TEV Trendyol Kalpten Kalbe Burs Fonu arac\u0131l\u0131\u011f\u0131yla depremzede \u00f6\u011frencilerin e\u011fitimine aktar\u0131l\u0131yor. Kad\u0131n sanat\u00e7\u0131lara y\u00f6nelik se\u00e7kiler ve gen\u00e7 yetenekleri koleksiyonerlerle bulu\u015fturan projeler, sanat\u0131 kapsay\u0131c\u0131, iyile\u015ftirici ve d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir ara\u00e7 olarak konumland\u0131r\u0131yor.<\/p>\n<p>Trendyol Sanat, T\u00fcrkiye\u2019nin gelecek nesil sanat\u00e7\u0131lar\u0131na \u0131\u015f\u0131k tutan projeleriyle, sanat\u0131 hem estetik hem toplumsal de\u011fer ta\u015f\u0131yan bir deneyim haline getiriyor. Bug\u00fcne kadar sat\u0131\u015fa sunulan se\u00e7kiler aras\u0131nda an\u0131lar\u0131n \u00f6nemini ve k\u0131r\u0131lgan hallerini hat\u0131rlatan \u2018Ortak Bellek\u2019, oyuncak tasar\u0131m\u0131n\u0131 sanata d\u00f6n\u00fc\u015ft\u00fcren \u2018Toykontakt\u2019 ve BASE i\u015f birli\u011fiyle g\u00fczel sanatlar fak\u00fcltelerinden yeni mezunlar\u0131n i\u015flerinden olu\u015fan \u2018BASELECTED\u2019 ve be\u015f kad\u0131n sanat\u00e7\u0131n\u0131n eserlerinden olu\u015fan &#039;SOYUT Yorumlamalar: Kad\u0131n Sanat\u00e7\u0131lar Se\u00e7kisi\u2019 gibi \u00f6nemli projeler yer al\u0131yor.<\/p>\n<p>\u00a0<\/p>\n<p> <strong><\/strong><br \/>\nEKONOM\u0130 GAZETES\u0130 <\/p>\n","protected":false},"excerpt":{"rendered":"<p>D\u00fcnyaca \u00fcnl\u00fc sanat\u00e7\u0131 Ahmet Ertu\u011f\u2019un Venedik\u2019te 21 \u015eubat tarihinde a\u00e7\u0131lacak foto\u011fraf \u200esergisi \u201cBeyond the Vanishing Point\u201d, Trendyol Sanat&#8217;\u0131n katk\u0131lar\u0131yla ger\u00e7ekle\u015ftiriliyor. Le \u200eStanze della Fotografia&#8217;da 6 Nisan&#8217;a kadar gezilebilecek sergide, Ayasofya&#8217;n\u0131n an\u0131tsal \u200ekubbesi t\u00fcm g\u00f6rkemiyle yer al\u0131yor. <\/p>\n","protected":false},"author":1,"featured_media":45637,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow07ekDA:productID":"","footnotes":""},"categories":[4,10],"tags":[],"class_list":["post-45636","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dunya","category-otomobil"],"_links":{"self":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/45636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=45636"}],"version-history":[{"count":0,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/45636\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/media\/45637"}],"wp:attachment":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=45636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=45636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=45636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}