![\"\"](\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/10\/458d26780e871cb02c27be96a79b944e_1.jpg\")
\n<\/p>\nAncak sergilenen eser, orijinal de\u011fil, bir replika. Onlarca y\u0131l \u00f6nce yurt d\u0131\u015f\u0131na \u00e7\u0131kar\u0131lan ve \u201cT\u0131p Budas\u0131\u201d (Yaoshi Fo) ad\u0131yla bilinen orijinal eser binlerce kilometre uzakl\u0131ktaki New York\u2019ta bulunan Metropolitan Sanat M\u00fczesi\u2019nde sergilenmekte.<\/p>\n
\u00c7in Ulusal Sanat Akademisi b\u00fcnyesindeki Gongbi Resim Akademisi Direkt\u00f6r\u00fc Zhang Jian, eseri ilk kez yak\u0131ndan g\u00f6rd\u00fc\u011f\u00fc an\u0131 \u015fu s\u00f6zlerle anlat\u0131yor: \u201cOrijinal duvar resminin kar\u015f\u0131s\u0131nda durdu\u011fumda derinden etkilendim. Eserin bir zamanlar bulundu\u011fu tap\u0131nak salonunun ihti\u015fam\u0131n\u0131 ve ruhunu derinden hissedebiliyordunuz.\u201d<\/p>\n
Eseri yerinde incelemek ve replikasyon \u00e7al\u0131\u015fmalar\u0131n\u0131 y\u00fcr\u00fctmek amac\u0131yla New York\u2019a d\u00f6rt kez giden Zhang, sanat eseriyle ilk kar\u015f\u0131la\u015fmas\u0131n\u0131 h\u00e2l\u00e2 t\u00fcm ayr\u0131nt\u0131lar\u0131yla hat\u0131rlad\u0131\u011f\u0131n\u0131 belirtti.<\/p>\n
Yurt d\u0131\u015f\u0131na \u00e7\u0131kar\u0131lm\u0131\u015f en b\u00fcy\u00fck antik \u00c7in duvar resimlerinden biri olan Yaoshi Fo, ola\u011fan\u00fcst\u00fc boyutlar\u0131 ve sanatsal inceli\u011fiyle \u00f6ne \u00e7\u0131k\u0131yor. Kompozisyonun merkezinde huzurlu ve merhametli duru\u015fuyla T\u0131p Budas\u0131 yer al\u0131rken, \u00e7evresinde d\u00fczenle s\u0131ralanm\u0131\u015f bodhisattvalar ve koruyucu krallar, g\u00f6rkemli, uyumlu ve a\u011f\u0131rba\u015fl\u0131 bir g\u00f6r\u00fcn\u00fcm kazand\u0131r\u0131yor esere.<\/p>\n
Zhang ve ekibi, 2024 y\u0131l\u0131ndan bu yana New York\u2019a ger\u00e7ekle\u015ftirdikleri ara\u015ft\u0131rma ziyaretlerinde, duvar resmine son derece yak\u0131n mesafeden milimetrik hassasiyetle \u00e7al\u0131\u015ft\u0131. Ekip, her dokuyu \u00f6l\u00e7t\u00fc, renk tonlar\u0131n\u0131 belirledi ve \u00f6nceki restorasyon \u00e7al\u0131\u015fmalar\u0131ndan kalan her \u00e7atla\u011f\u0131, boya d\u00f6k\u00fclmesini ve tarihsel izi tek tek kayda ge\u00e7irdi.<\/p>\n
Zhang, verdi\u011fi bir r\u00f6portajda, ama\u00e7lar\u0131n\u0131n \u201cmevcut durumun birebir kopyas\u0131n\u0131 olu\u015fturmak\u201d oldu\u011funu belirterek \u015funlar\u0131 s\u00f6yledi: \u201cAmac\u0131m\u0131z, duvar resminin 14\u2019\u00fcnc\u00fc y\u00fczy\u0131lda nas\u0131l g\u00f6r\u00fcnm\u00fc\u015f olabilece\u011fini idealize ederek yeniden yaratmak de\u011fil, b\u00fct\u00fcn y\u0131pranm\u0131\u015fl\u0131\u011f\u0131yla ve tarihsel dokusuyla bug\u00fcn nas\u0131l g\u00f6r\u00fcn\u00fcyorsa oldu\u011fu gibi kayda ge\u00e7irmekti.\u201d<\/p>\n
S\u00f6z konusu replikasyon \u00e7al\u0131\u015fmas\u0131, 24 Eyl\u00fcl\u2019de Beijing\u2019deki \u00c7in Geleneksel K\u00fclt\u00fcr M\u00fczesi\u2019nde (CTCM) , \u201cAntik \u00c7in Duvar Resimlerinin Replikasyonu ve Yeniden Canland\u0131r\u0131lmas\u0131\u201d ba\u015fl\u0131kl\u0131 sergi kapsam\u0131nda ziyarete a\u00e7\u0131ld\u0131.<\/p>\n
\n<\/p>\n
\u00a0ABD\u2019nin New York kentindeki Metropolitan Sanat M\u00fczesi\u2019nde bulunan Yuan Hanedanl\u0131\u011f\u0131 d\u00f6nemine ait orijinal duvar resmi \u00fczerinde \u00c7inli ekip taraf\u0131ndan y\u00fcksek hassasiyetli dijital g\u00f6r\u00fcnt\u00fcleme \u00e7al\u0131\u015fmas\u0131 y\u00fcr\u00fct\u00fcl\u00fcyor.<\/p>\n
\u00a0Par\u00e7alara ayr\u0131lan bir ba\u015fyap\u0131t<\/strong><\/p>\n \u00c7in\u2019in kuzeyinde bulunan Shanxi eyaletindeki Guangsheng Tap\u0131na\u011f\u0131\u2019n\u0131 harap eden b\u00fcy\u00fck bir Orta \u00c7a\u011f depreminden sonra ortaya \u00e7\u0131kan duvar resmi, kadim insanlar\u0131n zorluklar kar\u015f\u0131s\u0131nda g\u00f6sterdi\u011fi direncin bir \u00fcr\u00fcn\u00fc olarak ortaya \u00e7\u0131kt\u0131. Eser, Yuan Hanedanl\u0131\u011f\u0131 d\u00f6nemindeki Budist duvar resim sanat\u0131n\u0131n en \u00fcst\u00fcn \u00f6rneklerinden biri olarak kabul ediliyor.<\/p>\n Duvar resminin \u00e7alkant\u0131larla dolu modern d\u00f6nemdeki yolculu\u011fu ise 1928 y\u0131l\u0131nda ba\u015flad\u0131. B\u00f6lgedeki ke\u015fi\u015fler, eseri antika t\u00fcccarlar\u0131na satt\u0131.<\/p>\n ABD\u2019li koleksiyoncu Arthur M. Sackler, par\u00e7alanm\u0131\u015f durumdaki eseri 1954 y\u0131l\u0131nda sat\u0131n ald\u0131. Sackler, daha sonra eseri 1965 y\u0131l\u0131nda Metropolitan Sanat M\u00fczesi\u2019ne ba\u011f\u0131\u015flad\u0131.<\/p>\n Duvar resminin bulundu\u011fu yerden s\u00f6k\u00fclmesi s\u0131ras\u0131nda u\u011frad\u0131\u011f\u0131 a\u011f\u0131r tahribat ne yaz\u0131k ki kal\u0131c\u0131 izler b\u0131rakt\u0131. Eser geli\u015fig\u00fczel bir \u015fekilde tam 274 dikd\u00f6rtgen par\u00e7aya ayr\u0131ld\u0131.<\/p>\n Metropolitan Sanat M\u00fczesi konservat\u00f6rleri, eserin par\u00e7alar\u0131n\u0131 yeniden birle\u015ftirme s\u00fcrecinde teknik bilgi ve Bat\u0131 sanat\u0131ndaki restorasyon deneyimlerinden yararland\u0131. Ancak ekip, geleneksel \u00c7in duvar resmi esteti\u011fi ve Budist ikonografisi konusunda yeterli k\u00fclt\u00fcrel birikime sahip de\u011fildi.<\/p>\n \u00d6rne\u011fin, kesme i\u015flemi s\u0131ras\u0131nda Buda\u2019n\u0131n ba\u015f\u0131 ile g\u00f6vdesi aras\u0131nda olu\u015fan be\u015f santimetrelik bo\u015fluk, \u00e7izgilerin yanl\u0131\u015f bi\u00e7imde birle\u015ftirilmesine yol a\u00e7t\u0131.<\/p>\n Ortak restorasyon \u00e7al\u0131\u015fmas\u0131<\/strong><\/p>\n \u00c7in Ulusal Sanat Akademisi ile Metropolitan Sanat M\u00fczesi\u2019nin 2024 y\u0131l\u0131nda tam bir uyumla ba\u015flatt\u0131klar\u0131 ortak ara\u015ft\u0131rma ve replikasyon projesi sayesinde uzun y\u0131llar devam eden k\u00fclt\u00fcrel eksiklik giderilmeye ba\u015fland\u0131.<\/p>\n Son iki y\u0131lda \u00c7inli sanat ara\u015ft\u0131rmac\u0131lar\u0131ndan olu\u015fan ekip, restorasyon \u00e7al\u0131\u015fmalar\u0131na katk\u0131 sa\u011flamak amac\u0131yla bir\u00e7ok kez New York\u2019a gitti.<\/p>\n Zhang, y\u00fcr\u00fct\u00fclen \u00e7al\u0131\u015fman\u0131n yeni bir eser yaratmaktan \u00e7ok daha zahmetli oldu\u011funu vurgulad\u0131.<\/p>\n Zhang, \u201cAntik d\u00f6nem ressamlar\u0131 bu duvar resmini s\u0131f\u0131rdan olu\u015fturdu. \u00c7al\u0131\u015fma s\u0131ras\u0131nda sanatsal \u00f6zg\u00fcrl\u00fcklerini kullanarak eseri uyarlama ve geli\u015ftirme imk\u00e2n\u0131na sahiptiler. Bizse tamamlanm\u0131\u015f bir ba\u015fyap\u0131t\u0131 yeniden olu\u015fturuyoruz. En ufak bir sapmaya bile yer yok. Bu an\u0131tsal eserin her dokusunu, \u00e7izgisini ve tonunu yeniden \u00fcretmek \u00e7ok ciddi bir hassasiyet gerektiriyor\u201d dedi.<\/p>\n Ekibin eseri santim santim inceleyerek y\u00fcr\u00fctt\u00fc\u011f\u00fc \u00e7al\u0131\u015fmalar, s\u0131f\u0131rdan bir duvar resmi yap\u0131m\u0131na k\u0131yasla d\u00f6rt kat daha fazla bir zorlukla kar\u015f\u0131la\u015f\u0131lmas\u0131na neden oldu.<\/p>\n Eserin \u00f6zg\u00fcn ruhunu korumak amac\u0131yla ekip, en ileri modern teknolojileri geleneksel \u00c7in sanat ve zanaat y\u00f6ntemleriyle bir araya getirdi.<\/p>\n Ara\u015ft\u0131rmac\u0131lar, 100 megapiksel \u00e7\u00f6z\u00fcn\u00fcrl\u00fc\u011fe sahip ultra y\u00fcksek \u00e7\u00f6z\u00fcn\u00fcrl\u00fckl\u00fc kameralar kullanarak en ince renk ge\u00e7i\u015flerini ve y\u00fczey dokular\u0131n\u0131 g\u00f6r\u00fcnt\u00fcledi.<\/p>\n Duvar resminin kendine \u00f6zg\u00fc s\u0131\u011f kabartmal\u0131 y\u00fczey dokusunu yeniden olu\u015fturmak i\u00e7in Guangsheng Tap\u0131na\u011f\u0131\u2019na \u00fc\u00e7 ayr\u0131 saha ziyareti ger\u00e7ekle\u015ftirildi. Ekip, b\u00f6lgeden toprak \u00f6rnekleri toplad\u0131; bu malzemeleri ar\u0131nd\u0131r\u0131p sterilize etti. Ard\u0131ndan kum, bu\u011fday saman\u0131 ve kenevir lifinden olu\u015fan geleneksel kar\u0131\u015f\u0131mlar \u00fczerinde \u00e7ok say\u0131da deney yapt\u0131.<\/p>\n Bu \u00e7al\u0131\u015fmalar sonucunda, el i\u015f\u00e7ili\u011fiyle haz\u0131rlanan temel katmanlar\u0131n Yuan Hanedanl\u0131\u011f\u0131 d\u00f6nemindeki tap\u0131na\u011f\u0131n duvar dokusuna ve renk tonuna uygun hale getirilmesi hedeflendi.<\/p>\n Zhang, eserin y\u00fcksek b\u00f6l\u00fcmlerindeki ayr\u0131nt\u0131lar\u0131 incelemenin \u00f6nemine de dikkat \u00e7ekerek, \u201cT\u0131p Budas\u0131\u2019n\u0131n ba\u015f\u0131 yerden alt\u0131 metreden daha y\u00fcksek bir konumda. Daha \u00f6nce ba\u015f\u0131m\u0131 kald\u0131r\u0131p bakt\u0131\u011f\u0131mda bu ayr\u0131nt\u0131lar\u0131 fark edemiyordum. Y\u00fckseltici platform sayesinde duvar resmini \u00e7ok yak\u0131ndan inceleyebiliyoruz. Bu, hassas bir replikasyon \u00e7al\u0131\u015fmas\u0131 i\u00e7in son derece \u00f6nemli\u201d dedi.<\/p>\n K\u00fclt\u00fcrel i\u015fbirli\u011fi uluslararas\u0131 d\u00fczeye ta\u015f\u0131n\u0131yor<\/strong><\/p>\n Zhang\u2019\u0131n verdi\u011fi bilgiye g\u00f6re, iki kurum aras\u0131ndaki k\u00fclt\u00fcrel i\u015fbirli\u011fi replikasyon projesiyle s\u0131n\u0131rl\u0131 kalmayacak. Kurumlar, ekim ay\u0131n\u0131n sonlar\u0131nda uluslararas\u0131 bir sempozyuma da ortakla\u015fa ev sahipli\u011fi yapacak. Sempozyumda uzmanlar, T\u0131p Budas\u0131 duvar resminin incelenmesi ve korunmas\u0131na ili\u015fkin konular\u0131 ele alacak.<\/p>\n Zhang, eski Apple \u00dcst Y\u00f6neticisi (CEO) Tim Cook\u2019un mart ay\u0131nda projeyi ziyaret etti\u011fini ve \u00e7al\u0131\u015fmay\u0131 \u201ct\u00fcm d\u00fcnyan\u0131n g\u00f6rmesi gereken bir hik\u00e2ye\u201d olarak nitelendirdi\u011fini aktard\u0131.<\/p>\n Zhang, \u201c\u015eimdi ziyaret\u00e7ilerin de s\u0131n\u0131rlar\u0131 a\u015fan i\u015fbirli\u011fini ve eserin hik\u00e2yesini \u00f6\u011frenmesini umuyorum\u201d ifadelerini kulland\u0131.<\/p>\n \u00a0On y\u0131ll\u0131k birikim ve akademik inceleme<\/strong><\/p>\n Xinjiang Uygur \u00d6zerk B\u00f6lgesi’ndeki Ruoqiang il\u00e7esinde yer alan Milan antik kentindeki tap\u0131nak kalt\u0131nt\u0131lar\u0131ndan Milattan sonra 3-4 y\u00fczy\u0131la ait bir duvar resiminin replikas\u0131\u00a0<\/p>\n \u00c7in Ulusal Sanat Akademisi Gongbi Resim Enstit\u00fcs\u00fc Ba\u015fkan\u0131 Zhang Jian, projenin ortaya \u00e7\u0131k\u0131\u015f s\u00fcrecini de\u011ferlendirirken ekibin bu alandaki ara\u015ft\u0131rmalar\u0131n\u0131n 2016 y\u0131l\u0131nda ba\u015flad\u0131\u011f\u0131n\u0131 belirtti. D\u00f6nemin Gongbi Resim Enstit\u00fcs\u00fc Ba\u015fkan\u0131 He Jiaying\u2019in \u00f6nc\u00fcl\u00fc\u011f\u00fcndeki ekip, Gansu eyaleti ile ve Xinjiang Uygur \u00d6zerk B\u00f6lgesi\u2019ndeki ma\u011fara tap\u0131naklar\u0131nda bir aydan uzun s\u00fcren saha \u00e7al\u0131\u015fmalar\u0131 ger\u00e7ekle\u015ftirdi. \u0130pek Yolu boyunca uzanan duvar resmi kal\u0131nt\u0131lar\u0131n\u0131 sistematik bi\u00e7imde inceleyen ekip, zamanla duvar resimleri \u00fczerine ara\u015ft\u0131rma ve replikasyon \u00e7al\u0131\u015fmalar\u0131n\u0131 uzun vadeli olarak s\u00fcrd\u00fcrme hedefini belirledi.<\/p>\n 2017 y\u0131l\u0131nda Gongbi Resim Enstit\u00fcs\u00fc, Ulusal Sanat Fonu kapsam\u0131nda Antik Duvar Resimleri Alan\u0131nda Uzman Yeti\u015ftirme Projesi\u2019ni y\u00fcr\u00fctme hakk\u0131 kazand\u0131. \u00dclke genelinden ba\u015fvuran m\u00fczecilik ve k\u00fclt\u00fcrel miras kurumlar\u0131nda g\u00f6revli 800\u2019\u00fc a\u015fk\u0131n uzman, \u00f6\u011fretim eleman\u0131, y\u00fcksek lisans ve doktora \u00f6\u011frencisi ile profesyonel sanat\u00e7\u0131lar aras\u0131ndan titiz bir de\u011ferlendirmeyle 40 gen\u00e7 yetenek se\u00e7ildi. B\u00f6ylece ara\u015ft\u0131rmalar\u0131n temelini olu\u015fturacak akademik kadro kademeli olarak \u015fekillenmi\u015f oldu.<\/p>\n Yeti\u015fmi\u015f insan kayna\u011f\u0131 ve \u00f6nceki ara\u015ft\u0131rmalar\u0131n sa\u011flad\u0131\u011f\u0131 birikim do\u011frultusunda enstit\u00fc, 2018 y\u0131l\u0131ndan itibaren \u201cAntik \u0130pek Yolu G\u00fczerg\u00e2h\u0131ndaki B\u00f6lgelerin Duvar Resimlerinin Replikasyonu ve Tan\u0131t\u0131lmas\u0131\u201d projesini planlayarak hayata ge\u00e7irdi. Bu tarihten sonra her y\u0131l bir veya iki \u00f6nemli proje \u00fczerinde \u00e7al\u0131\u015fmalar s\u00fcrd\u00fcr\u00fcld\u00fc. Ekibin \u0130pek Yolu duvar resimlerine ili\u015fkin replikasyon \u00e7al\u0131\u015fmalar\u0131, 2022 y\u0131l\u0131nda \u00c7in Geleneksel El Sanatlar\u0131 M\u00fczesi\u2019nin a\u00e7\u0131l\u0131\u015f sergisinde yer ald\u0131 ve b\u00fcy\u00fck bir be\u011feniyle kar\u015f\u0131land\u0131.<\/p>\n Daha sonraki a\u015famada ekip, ara\u015ft\u0131rmalar\u0131n\u0131 Metropolitan Sanat M\u00fczesi koleksiyonunda bulunan T\u0131p Budas\u0131 (Bhaisajyaguru, Yaoshi Fo) adl\u0131 duvar resmine y\u00f6neltti. Zhang Jian liderli\u011findeki ekip, eserin tarihsel ba\u011flam\u0131n\u0131 ara\u015ft\u0131rmak \u00fczere Shanxi eyaletindeki Guangsheng Tap\u0131na\u011f\u0131\u2019n\u0131n A\u015fa\u011f\u0131 Tap\u0131nak b\u00f6l\u00fcm\u00fcnde yer alan ana salonun kal\u0131nt\u0131lar\u0131n\u0131 inceledi. \u00d6zg\u00fcn mek\u00e2n\u0131n \u00f6zellikleri ve ilgili tarihsel belgeler referans al\u0131narak Metropolitan Sanat M\u00fczesi ile bilimsel ara\u015ft\u0131rma i\u015fbirli\u011fi ba\u015flat\u0131ld\u0131.<\/p>\n Replikasyon uygulamalar\u0131ndan \u201cB\u00fcy\u00fck \u00c7in K\u00fclt\u00fcr\u00fc Perspektifi\u201dne<\/strong><\/p>\n \u00c7in Merkez\u00ee Edebiyat ve Tarih Ara\u015ft\u0131rmalar\u0131 Enstit\u00fcs\u00fc \u00fcyesi ve \u00c7in Ulusal Sanat Akademisi Gongbi Resim Enstit\u00fcs\u00fc Onursal Ba\u015fkan\u0131 He Jiaying, \u00c7in sanat tarihine ili\u015fkin anlat\u0131n\u0131n yaln\u0131zca Song ve Yuan hanedanl\u0131klar\u0131ndan itibaren geli\u015fen entelekt\u00fcel \u00e7evrelere ait m\u00fcrekkep resimleriyle s\u0131n\u0131rland\u0131r\u0131lmamas\u0131 gerekti\u011fini vurgulad\u0131. He, Tang Hanedanl\u0131\u011f\u0131 \u00f6ncesine ait fig\u00fcratif resimlerin ve b\u00fcy\u00fck \u00f6l\u00e7ekli resim \u00e7al\u0131\u015fmalar\u0131n\u0131n \u00f6nemli bir b\u00f6l\u00fcm\u00fcn\u00fcn, ma\u011fara tap\u0131naklar\u0131 ve budist tap\u0131naklar\u0131 ile di\u011fer din\u00ee yap\u0131lar\u0131n duvar resimlerinde korundu\u011funu belirtti.<\/p>\n Xinjiang Uygur \u00d6zerk B\u00f6lgesi’nin Turfan b\u00f6lgesindeki antik mezarlardan gelen Orta Ovalar ile bat\u0131 b\u00f6lgelerinin tarz\u0131lar\u0131n\u0131 birle\u015ftiren bir duvar resminin replikas\u0131\u00a0<\/p>\n Antik duvar resimleri; entelekt\u00fcel birikimi, din\u00ee inan\u00e7lar\u0131 ve halk sanatlar\u0131n\u0131 bir araya getirirken Do\u011fu, Bat\u0131, Orta ve G\u00fcney Asya gibi farkl\u0131 b\u00f6lgelerin k\u00fclt\u00fcrel unsurlar\u0131n\u0131 da b\u00fcnyesinde bar\u0131nd\u0131r\u0131yor. Bu eserlerin kapsaml\u0131 bi\u00e7imde ara\u015ft\u0131r\u0131lmas\u0131, \u00c7in resim tarihinin kaynaklar\u0131n\u0131 geni\u015fletmenin yan\u0131 s\u0131ra \u00c7in sanat\u0131n\u0131n Asya ve d\u00fcnya uygarl\u0131klar\u0131yla kurdu\u011fu etkile\u015fimi de ortaya koyuyor. B\u00f6ylece daha a\u00e7\u0131k ve \u00e7ok boyutlu bir \u201cB\u00fcy\u00fck \u00c7in K\u00fclt\u00fcr\u00fc Perspektifi\u201dnin geli\u015ftirilmesine katk\u0131 sa\u011fl\u0131yor.<\/p>\n Sergi son erse de ara\u015ft\u0131rmalar devam ediyor. Bu sergi, \u00c7in\u2019in antik duvar resimleri \u00fczerine y\u00fcr\u00fct\u00fclen ara\u015ft\u0131rmalar i\u00e7in yeni bir ba\u015flang\u0131\u00e7 noktas\u0131 olu\u015fturuyor. K\u00fclt\u00fcrel miras\u0131n korunmas\u0131, sanat tarihinin in\u015fas\u0131, uluslararas\u0131 i\u015fbirli\u011fi ve medeniyetler aras\u0131 etkile\u015fim alanlar\u0131nda s\u00fcrd\u00fcr\u00fclecek \u00e7al\u0131\u015fmalar, \u00c7in\u2019in se\u00e7kin geleneksel k\u00fclt\u00fcr\u00fcn\u00fcn \u00e7a\u011fda\u015f ba\u011flamda yeni bir canl\u0131l\u0131k kazanmas\u0131na daha fazla katk\u0131 sa\u011flayacak.<\/p>\n <\/strong> Beijing\u2019deki \u00c7in Geleneksel K\u00fclt\u00fcr M\u00fczesi\u2019nin salonunda, yumu\u015fak bir \u0131\u015f\u0131k alt\u0131nda sergilenen 15,1 metre uzunlu\u011funda ve 7,52 metre y\u00fcksekli\u011findeki Yuan Hanedanl\u0131\u011f\u0131 (1279-1368) d\u00f6nemine ait g\u00f6rkemli bir duvar resmi, ziyaret\u00e7ilerin \u00e7ok ilgisini \u00e7ekiyor. Eserin \u00f6n\u00fcnde duran ziyaret\u00e7iler, resmin yans\u0131tt\u0131\u011f\u0131 derin manevi atmosferi hayranl\u0131kla inceliyor.<\/p>\n","protected":false},"author":1,"featured_media":165392,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"googlesitekit_rrm_CAow07ekDA:productID":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-165391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dunya"],"_links":{"self":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/165391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=165391"}],"version-history":[{"count":0,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/165391\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/media\/165392"}],"wp:attachment":[{"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=165391"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=165391"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ekonomigundemi.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=165391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/10\/458d26780e871cb02c27be96a79b944e_2.jpg\")
\n<\/p>\n![\"\"](\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/10\/458d26780e871cb02c27be96a79b944e_3.jpg\")
\n<\/p>\n![\"\"](\"https:\/\/ekonomigundemi.com.tr\/wp-content\/uploads\/2026\/10\/458d26780e871cb02c27be96a79b944e_4.jpg\")
\n<\/p>\n
\nEKONOM\u0130 GAZETES\u0130 <\/p>\n","protected":false},"excerpt":{"rendered":"